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Education
2013-2015
MA Sculpture, Royal College of Art, London
2009-2012
BA Mixed Media Fine Art, University Of Westminster, London
Residences
2017
Rijksakademie, Amsterdam, Netherlands
2016
Wysing Art Centre, Cambridge, United Kingdom
2015
AMEXCID, Mexico City, Mexico
Public/
Collections
Memorial for the Lost Crew in Action, Almere, 2020
Collection, Amsterdam Court House, 2020
Mexico City Metro Lines, Digital Animation, 2015
Laura O’Neill (b.1990 Wigan) UK
Selected Screenings
2019
HOME, Manchester
University of Plymouth
Fabrica Gallery, Brighton
Spike Island
CCA Glasgow
Whitechapel Gallery
Nottingham Contemporary
2018
ICA, London
Visions, Nunnery, London
FIVA, Centro Cultural San Martín, Argentina
Hiroshima International Animation Festival, Japan
2017
Zona de Desgaste, Mexico D.F
Tramway, Glasgow
Contemporary Art Centre, Vilnius
Deslave, Baja California
Centro De Cultura Digital, Mexico D.F, Mexico
Ladron Galeria, Mexico D.F, Mexico
2016
Fact, Liverpool
Clearview, London
Spike Island, Bristol
Serf, Leeds,
Phoenix, Leicester
Film Biennial, ICA, London
Focal Point Gallery, Southend-on-Sea
2015
Film Commission, Mexico City Metro Transport, Mexico D.F
Obrera Centro, Mexico D.F
Camden Art Centre, London
Live
2017
I have no mouth and I must scream, Cell Project Space, London
2016
Bending Over Backwards, Live Radio Broadcast, Wysing Arts Centre, Cambridge
(WE’RE BEHAVING LIKE) INSECTS, Dinner, Clearview, London
Viras, Wysing Polyphonic Music Festival, Wysing Arts Centre, Cambridge
2015
I’m OK, Your OK, Camden Art Centre events, London
Power 100 Ping Pong, ICA events, London
UR, Zona de Desgaste, Dream workshop, Mexico D.F
Guruji, Horse Hospital, London
Talks
2019
Talk, Nottingham Contemporary, Nottingham
2018
Talk, ICA, London, UK
2016
Talk, Palazzo Strozzi, Florence
2015
Lecture, Universidad del Claustro de Sor Juana, Mexico, D.F
Selected Screenings
2019
HOME, Manchester
University of Plymouth
Fabrica Gallery, Brighton
Spike Island
CCA Glasgow
Whitechapel Gallery
Nottingham Contemporary
2018
ICA, London
Visions, Nunnery, London
FIVA, Centro Cultural San Martín, Argentina
Hiroshima International Animation Festival, Japan
2017
Zona de Desgaste, Mexico D.F
Tramway, Glasgow
Contemporary Art Centre, Vilnius
Deslave, Baja California
Centro De Cultura Digital, Mexico D.F, Mexico
Ladron Galeria, Mexico D.F, Mexico
2016
Fact, Liverpool
Clearview, London
Spike Island, Bristol
Serf, Leeds,
Phoenix, Leicester
Film Biennial, ICA, London
Focal Point Gallery, Southend-on-Sea
2015
Film Commission, Mexico City Metro Transport, Mexico D.F
Obrera Centro, Mexico D.F
Camden Art Centre, London
Live
2017
I have no mouth and I must scream, Cell Project Space, London
2016
Bending Over Backwards, Live Radio Broadcast, Wysing Arts Centre, Cambridge
(WE’RE BEHAVING LIKE) INSECTS, Dinner, Clearview, London
Viras, Wysing Polyphonic Music Festival, Wysing Arts Centre, Cambridge
2015
I’m OK, Your OK, Camden Art Centre events, London
Power 100 Ping Pong, ICA events, London
UR, Zona de Desgaste, Dream workshop, Mexico D.F
Guruji, Horse Hospital, London
Talks
2019
Talk, Nottingham Contemporary, Nottingham
2018
Talk, ICA, London, UK
2016
Talk, Palazzo Strozzi, Florence
2015
Lecture, Universidad del Claustro de Sor Juana, Mexico, D.F
2020
Manchester Open, HOME, Manchester
2019
Up Is A Relative Concept, FOLD LAB, London
2018
Academiae, Fortress of Fortezza-Franzensfeste, Italy
Temporary Realities, Karen Huber, Mexico D.F
Lost Content, Chalton Gallery, London (Solo)
2017
Transmission, Minshar Gallery, Tel Avi
That’s What I like about you, Stadio, Switzerland
All Channels Open, Wysing Art Centre, Cambridge
2016
Outside The Black Box, Palazzo Strozzi, Florence
That’s What I Like About You, Glassbox, Paris
Yellowed Minds, Composite, Brussels
This Time With FEELing : Cycle #2, Space, London
they shake the mountains when they dance, Chalton Gallery, London
Young Gods, Charlie Smith and Griffin Gallery, London
2015
Alphabet Soup, Biquini Wax, Mexico, D.F
Cascading Relevant Information, Open Eye Gallery, Liverpool
Mix Realities, Zona de Desgaste, Mexico D.F
Morton Casa De Subastas, Mexico D.F
How to write, Five Years Gallery, London
Bloomberg New Contemporaries, Newlyn Art Gallery, Penzance
2014
Bloomberg New Contemporaries, ICA, London and Liverpool Biennial, Liverpool
Figure Two, Baltic 39, Newcastle
We met at the far end of the landscape and both acted shy Podium, Oslo
As Dim As, Supercollider, Blackpool
2013
Bloomberg New Contemporaries ICA, London and Spike Island, Bristol
Nature Reserves, GV Art Gallery, London
2012
Punch Clock Savvy Contemporary, Berlin
Height X Width X Depth Five Years Gallery, London
2011
00:00:00 Five Years Gallery, London
2010
Omnicasus Five Years Gallery, London
Press/Catalogue
2017
Parool, 23 November, Amsterdam
Metropolism, 23 November, Amsterdam
Transmission, HAARETZ, 7th September, Tel Aviv
VISIO Next Generation Moving Images, Florence, Mousse
This Is Tomorrow, All Channels Open
2016
Alfabeta2, Fuori dalla scatola nera
Visio Outside The Black Box, Catalogue
Wall Street International, Young Gods
2015
Immersive Frames Catalogue
Subastas de Arte Britanico Contemporaneo Catalogue
2014
Bloomberg New Contemporaries Catalogue
The Telegraph, 11th July Louisa Buck
The Oxford Times, 14th August, Christopher Gray
2013
Bloomberg New Contemporaries Catologue
Apollo Magazine, 3rd December, New Contenders, Tom Jeffreys
Urban Times, 22nd August, Archiving And Knowledge, Frances Sampayo
Nature Reserves Catalogue, Tom Jeffreys
2011
The Guardian, Aug 13th This Weeks New Exhibitions, Skye Sherwin
Saatchi Online Magazine, Aug 5th Top 10 Shows in London, Rebecca Gerard
Amsterdam Court House, NL 2020
OPEN STUDIOS
Hands glued together in an eternal handshake: as a tool or a weapon, this gesture
reveals implicit power structures. Meanwhile, we move our cursors up and down, left and right, influenced by consumptive induction and technological ritual. Rather than location, navigation has now become primary: trans-action after trans-action, witnessed or unwitnessed. Proliferating variations regulate our relationships. Enunciations come in and out of focus. One becomes the other. Words speak by themselves from a pantomimed background. Hand in hand we’re maneuvered. But who is steering whom? And who wants to be guided? We subconsciously live in fear of overlapping power structures that make up our reality: from the most intimate to the all-encompassing and global. Resistance acts out, evoking a moment when an object loses its function. Simulations influence our inner fictions, affect how we act upon the external world. We obscure the face, creating another mask.Welcome to the City of Tomorrow: the place of prolonged lives and digitized souls, where bodies are disposable and eternal life is possible—but only for those who can afford to make a copy.